For a truly immersive experience, cinematic virtual reality needs spatial sound. Be it immersive content for VR goggles, your favorite web browser, YouTube 360 or Facebook 360 - spatial audio will make or break the VR illusion. Our tools can deliver an enveloping soundtrack to your creative ideas.
Martin Rieger labels his profession as 360° sound production, which sees him taking a holistic approach to virtual reality productions, taking more elements into account in the recording and mixing process than traditionally, and crafting the storytelling throughout the entire process.
Stephen Vitiello is an electronic musician and media artist. CD releases have been published by New Albion Records, Sub Rosa, 12k and Room 40. His sound installations and multi-channel works are in the permanent collections of the Museum of Modern Art, the Whitney Museum and the Museum of Contemporary Art, Lyon.
Thomas is a Swiss musician, music producer and sound designer. He has been working as an audio pro on all sides of the microphone for more than 20 years: As the lead guitarist of the band Lovebugs, he has played more than 1,000 concerts in Europe, recorded 13 albums, including several number-one singles, and received a number of Golden Record awards.
Just as with any video production, the key to success is correct recording. While traditional microphones still play an important role in virtual reality productions, they need to be augmented with spatial microphones that capture the full 360° ambience.
This is what the Sennheiser AMBEO VR Mic does. A single compact microphone operating on the Ambisonics principle, it allows you to capture complete spherical audio from a single point in space. Basically, you capture exactly what a listener would hear if he or she was in that position.
It sounds easy but some care should be taken to record the Ambisonics signal correctly with regard to position and level, as certain errors cannot be corrected during post-production. A field recorder that has an AMBEO VR Mic mode will help to make this task far easier.
On location, the VR Mic will usually be combined with conventional microphones such as wireless lavalier mics. This allows for increased flexibility during post-production, giving the mixing engineer greater control over the final experience.
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